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Low Yo Yo Stuff 3:38
Nowadays A Woman's Gotta Hit A Man 3:45
Too Much Time 2:46
Circumstances 3:11
My Head Is My Only House Unless It Rains 2:57
Sun Zoom Spark 2:11
Clear Spot 3:35
Crazy Little Thing 2:35
Long Neck Bottles 3:17
Her Eyes Are A Blue Million Miles 2:54
Big Eyed Beans From Venus 4:23
Golden Birdies 1:37
  • Ed Thrasher
  • Blackberries

    Blackberries

    Backing Vocals

  • Oréjon
  • Ed Marimba

    Ed Marimba

    Drums, Percussion, Other [Tattoos]

  • Donn Landee

    Donn Landee

    Engineer [Aka: Mit]

Clear Spot was first released as a 12-track vinyl in the UK between Aug & Sept 1972 as K 54007 (MS 2115). As MS 2115 in the USA. (DJ single USA promo pack for the album: Clear Spot).

The vinyl was either 'loose' or contained in a white poly-lined wallet, at the outlet's discretion. This was contained in a specially-produced clear plastic wallet with a 'Clear Spot' logo embossed on the flap. Within this was a 2-sided white card insert with black & white print - photo on front, credits on reverse. No 'Clear Spot' logo appeared on this insert. The release package in this form, with minor variations (such as insert being 2 pieces, glued back-to-back as one) and with respective catalog IDs, was issued in Australia, Canada, France (one-sided insert), Germany & the USA.

By the close of 1972 the 'limited quantity' of embossed wallets had expired. The 2nd issue did not have embossing and the 'Clear Spot' logo was printed on a white reissue cover (Grey, Black or Pale Blue; Depending upon country or reissue dates throughout vinyl's history). The 2nd issue labels in the UK ('mustard' rather than light brown) also had the addition of the small Warner logo & a new text layout (containing literals). "8-track" editions, with re-ordered titles, appeared in the UK, USA & Canada in 1972. Cassettes also exist, together with a 1972 issue 7" reel recording. Since 2000 'specialist' vinyl has been produced of this release. It has also been 'paired' as a 'double release' with other Beefheart recordings over the years, most notably with "The Spotlight Kid".

"Her Eyes Are A Blue Million Miles" is in the soundtrack of the 1998 film 'The Big Lebowski'.
The title track "Clear Spot" features in the 2007 film "Things We Lost In The Fire"
Engineer Donn Landee was nicknamed "Mit" during recording because, in Vliet's words,"...he caught everything we threw at him"*.
*[ZigZag interview April '73].
The insert photo was taken in the control center of the Planetarium of Griffith Park Observatory, Los Angeles, California. The last line of "Golden Birdies", in typical Vliet spontaneity, references the Webcor.

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Cover of Clear Spot, 1972-10-00, Vinyl Clear Spot

LP, Album

Embossed Logo

Reprise Records – K 54007 UK 1972 UK 1972

Recently Edited

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album, Promo

Embossed Logo

Reprise Records – MS-2115 US 1972 US 1972

Recently Edited

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album, Stereo

Plastic Sleeve, Embossed Logo

Reprise Records – MS 2115 US 1972 US 1972

Recently Edited

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

PVC cover

Reprise Records – REP 54 007, Reprise Records – K54007, Reprise Records – MS 2115

+1 more label...

Germany 1972 Germany 1972

Recently Edited

Cover of Clear Spot, 1972, 8-Track Cartridge Clear Spot

8-Track Cartridge

Reprise Records – REP M8 2115 US 1972 US 1972
Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Reissue

Reprise Records – MS 2115 Canada 1972 Canada 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

Reprise Records – MS 2115 Australia 1972 Australia 1972
Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

Embossed Logo

Reprise Records – 54007, Reprise Records – MS 2115 France 1972 France 1972

Recently Edited

Cover of Clear Spot, 1972, Cassette Clear Spot

Cassette

Reprise Records – M5 2115 US 1972 US 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album, Test Pressing

Reprise Records – MS-2115 US 1972 US 1972

New Submission

Cover of Clear Spot, 1972, Reel-To-Reel Clear Spot

Reel-To-Reel, 7 ½ ips, ½", 4-Track Stereo, 7" Cine Reel, Album

Reprise Records – RST 2115-C US 1972 US 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

Embossed Logo

Reprise Records – MS 2115 Canada 1972 Canada 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album, Promo, Stereo

Embossed PVC sleeve

Reprise Records – REP 54 007, Reprise Records – MS 2115, Reprise Records – K54007

+1 more label...

Germany 1972 Germany 1972
Cover of Clear Spot, 1972-10-21, Vinyl Clear Spot

LP, Album, White Label

Reprise Records – REP 54.007 Germany 1972 Germany 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

Santa Maria Pressing, Embossed Logo

Reprise Records – MS 2115 US 1972 US 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

Pitman pressing

Reprise Records – MS 2115 US 1972 US 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album

Reprise Records – MS 2115 Australia 1972 Australia 1972

New Submission

Cover of Clear Spot, 1972, Vinyl Clear Spot

LP, Album, Test Pressing, Stereo

White Card Sleeve With Typed Sticker

Reprise Records – K 54007 UK 1972 UK 1972

New Submission

Cover of Clear Spot, 1973, Vinyl Clear Spot

LP, Album, Reissue

Reprise Records – MS 2115 US 1973 US 1973

New Submission

Cover of Clear Spot, 1974, Vinyl Clear Spot

LP, Album, Reissue

Reprise Records – MS 2115 US 1974 US 1974

Recently Edited

Cover of Clear Spot, 1974, Vinyl Clear Spot

LP, Album

"W" Warner Logo

Reprise Records – MS 2115 US 1974 US 1974

New Submission

Cover of Clear Spot, 1976, Vinyl Clear Spot

LP, Album, Repress

PVC cover

Reprise Records – REP 54 007, Reprise Records – K54007, Reprise Records – MS 2115

+1 more label...

Germany 1976 Germany 1976

New Submission

Cover of Clear Spot, 1977, Vinyl Clear Spot

LP, Album, Reissue, Stereo

Reprise Records – REP 54 007, Reprise Records – K 54 007 Europe 1977 Europe 1977

Recently Edited

Cover of Clear Spot, 1985, Vinyl Clear Spot

LP, Album, Reissue

Reprise Records – REP 54 007, Reprise Records – MS 2115, Reprise Records – K 54007

+1 more label...

Germany 1985 Germany 1985

Recently Edited

Cover of Clear Spot, 2000, Vinyl Clear Spot

LP, Album, Reissue

180 gram, Gloversville Pressing

Reprise Records – MS 2115 US 2000 US 2000

Recently Edited

Cover of Clear Spot, 2009, Vinyl Clear Spot

LP, Album, Reissue, Limited Edition

Red

Reprise Records – MS 2115 US 2009 US 2009

Recently Edited

Cover of Clear Spot, 2014, Vinyl Clear Spot

LP, Album, Reissue

Reprise Records – 8122795848 Europe 2014 Europe 2014
Cover of Clear Spot, 2014-09-03, CD Clear Spot

CD, Album, Reissue, Remastered

Reprise Records – WQCP-1502 Japan 2014 Japan 2014

New Submission

Cover of Clear Spot, 2015, CD Clear Spot

CD, Album, Reissue

Reprise Records – 081227951252, Rhino Records (2) – 081227951252 Europe 2015 Europe 2015

New Submission

Cover of Clear Spot, 2015, CD Clear Spot

CD, Album, Stereo

Rhino Records (2) – R2 2115 US 2015 US 2015

New Submission

Cover of Clear Spot, 2016, Vinyl Clear Spot

LP, Album, Reissue

Rhino Records (2) – R1 2115 US 2016 US 2016

New Submission

Cover of Clear Spot, 2016, Vinyl Clear Spot

LP, Album, Reissue

180 Gram

Reprise Records – 8122795845 Europe 2016 Europe 2016

New Submission

Cover of Clear Spot, , Vinyl Clear Spot

Album, LP, Reissue

Reprise Records – K 54007 UK UK

Recently Edited

Cover of Clear Spot, , Vinyl Clear Spot

LP, Album, Reissue

Reprise Records – MS 2115, Reprise Records – REP 54 007 US US

Recently Edited

Cover of Clear Spot, , Vinyl Clear Spot

LP, Album, Reissue, Stereo

Reprise Records – REP 54 007, Reprise Records – MS 2115 Germany Germany
Cover of Clear Spot, , Vinyl Clear Spot

LP, Album

Reprise Records – MS 2115 US US

New Submission

Cover of Clear Spot, , Vinyl Clear Spot

LP, Album, Reissue, Stereo

Reprise Records – REP 54 007, Reprise Records – K 54007 Germany Germany

New Submission

Cover of Clear Spot, , Vinyl Clear Spot

LP, Album, Reissue

Reprise Records – REP 54 007, Reprise Records – MS 2115, Reprise Records – K 54007

+1 more label...

Germany Germany

New Submission

Cover of Clear Spot, , Vinyl Clear Spot

LP, Album, Reissue, Stereo

Reprise Records – REP 54 007, Reprise Records – MS 2115 Germany Germany

New Submission

Cover of Clear Spot, , Vinyl Clear Spot

LP, Album, Limited Edition, Reissue

Rhino Records (2) – MS-2115 US US

New Submission

Thelonious_Skunk's avatar

Phenomenal pressing! Really good dynamics and great separation on the many instruments and percussion. If you're a fan of Beefheart, this album is a must—more commercial than Trout Mask, but by no means uninteresting. This release is amazing overall—grab one if you can!

Seandyer87's avatar

this album sounds out of this world .. the music , the lyrics , the recording

i ve been streaming this album to get into it but some tracks were almost unrecognisable as they were so 3D and immersive on vinyl

one of my all time top favourite albums already

really lucky i got a NM copy which sounds so punchy and clean

yellowfinch17's avatar

Edited 8 months ago

This is a gem of an album and am fortunate to have taken a chance when numerous critics have called it his most commercial album. Commercial for Captain Beefheart is still in the Earth's upper atmosphere, but yet far out. So many great cuts--Low Yo Yo Stuff, My Head Is My Only House Unless It Rains, Clear Spot, Her Eyes Are A Blue Million Miles, Big Eyed Beans From Venus, and Golden Birdies which was performed on German TV in 1972. https://www.dailymotion.com/video/x656bnv Most of the songs are from The Spotlight Kid, but they are nothing short of amazing!

I'm presuming that The Captain was mentioning the brand of a tape recorder, Webcor since the link at the top did not work. https://www.radiomuseum.org/r/webster_webcor_electronic_memory.html

Senile1979's avatar

Scorpio pressing. I purchased it before I knew better. Buyer beware.

Fender_bend's avatar

This might seem kinda silly but I truly believe this should get a repress on clear vinyl as was originally intended (according to Zoot Horn Rollo in his book 'Lunar Notes')

Bradx's avatar

The original issue with the plastic sleeve and 'Clear Spot' embossing would have benefitted immeasurably with a clear vinyl pressing. Apparently Reprise were too cheapskate to pay for it. Having said that - clear vinyl can be inferior to black so maybe it all worked out for the best in the end... although the package would have looked good (perhaps a bit like the first Faust album).

ZippyZoppy's avatar

Will someone please post the Rhino Records CD Cat# R2 2115!!!

kealyj's avatar

Anyone else have a problem with the download card? The download doesn't have any tracks from side B, instead it's side A with a bunch of alternative takes.

swagski's avatar

Edited 11 years ago

"Clear Spot" - one of the more 'accessible' albums of Beefheart's career - radically packaged for its time in a 'Clear Spot' embossed clear wallet, with an insert and no vinyl liner. Looking rather like a 'black spot in a polyethylene bag' and soon replaced by a standard sleeve. Even on release, some outer wallets had splits or creases and, almost 40 years later, it is becoming harder to find clean un-yellowed copies. It was also mooted that the vinyl should also be clear, but this was shelved as being 'cost-prohibitive'.

The album opens with "Low Yo Yo Stuff", a number written and rehearsed back in "Spotlight Kid" days and a line used later to title Anton Corbijn's documentary "Some YoYo Stuff". Then "Nowadays A Woman's Gotta Hit A Man" keeps up the pace, although I'm not sure male pre-occupation is a bad thing, if that's what Don's suggesting here. There's an interesting horn arrangement by producer Templeman and Vliet, along with assured slide-guitar work from Harkelroad.

Things slow down on "Too Much Time", which was used as a promo & single release. About as slushy and sentimental as a mid-sixties pop song. With Jerry Jumonville horn arrangements, Cooder's brother-in-law Russ Titelman guesting on guitar and The Blackberries' Stax-style backing vocals, it's sticky enough to seal a love-letter. "Circumstances" then hits it for me, lyrically and musically a 'modern blues' gem, with heart-stopping breaks and changes of pace. I think the following "My Head Is My Only House Unless It Rains" is a little lost - which it was, on the flip-side of the single. Don lays down some imagery as the band plays, but I think he should have sold this one to Van Morrison. "Sun Zoom Spark" definitely gets back in the groove. Pure magic n' magnetism, with that 'zippin' guitar to end side one.

Side two opens with the album's title track and Don running "...to find a clear spot", with brilliantly 'eerie' guitar work from Harkelroad. "Crazy Little Thing" has some elegant drum work by Tripp and Boston's incomparable bass drives things along with Milt Holland's added percussion. Nice sexy touch from The Blackberries' vocals too. "Long Neck Bottles" lopes along in solid blues style and into "Her Eyes Are A Blue Million Miles". One of my favorite romantic songs by Vliet and used on the film soundtrack of "The Big Lebowski". Is it about a girl, or an ode to the expanses of the ocean? (Or "oceands", as Don would have it). Then we have "Big Eyed Beans From Venus". I think I'd like to have this played at my funeral. With the knob set at 11. "Man, let your waters flop out..."

Finally, there's "Golden Birdies". Echoes of 'Decals' days and the Winged Eel. What more can be said? If only Don had "Let go flocks" of albums like this, who knows if he would have quacked it? Webcor... Webcor...